Some nice old Mini footage here. Was it the only front wheel drive racing car worth a damn?
Here’s more footage — Monte Carlo Rallye 1965
Categories
Category: Classic Sportscar
The mighty Bring a Trailer is along for the ride with the California Mille. I suspect these photos are just the tip of the iceberg and that coverage will continue over the next several days. Take a look.
“Let’s update a classic model from our past”, is a sentence that, since 1998’s successful redesign and relaunch of the VW beetle, must have been heard in every manufacturer’s boardroom since. In an era of blasé jellybeans on wheels dominating the auto market, I can’t say I blame them. These re-issues come and go with varying levels of success. Sometimes even multiple reissues from the same manufacturer are on opposite ends of this spectrum. New Dodge Challenger? Yes, please. New Dodge Charger? Nuh-uh.
In general, though, I tend to judge the success of digging into the archives for new product based on how much they evoke the original; how true they are to their roots. By that criteria, this design exercise by Arturo Alonso hits the nail on the head. It’s almost TOO close to the original. This is not, however, simply a replica of the classic Gullwing. The plan for this small production run series is to use modern materials and technologies, including a new Benz V8, mated to a very original-looking body—sadly made from fiberglass and not aluminum. The subtle softening of the edges and taming of the corners give the body a more modern look as well, and further suggest that this isn’t just another kit or reproduction.
Like the earlier Viper design project, it is currently only (publicly) a digital rendering. As a design study, it’s fun. More than that, I hope it does come to fruition and inspires more updates of this quality.
keep your eyes on Gullwing-America.com for the official site. It’ not up yet, though.
In the meantime, Carscoop has the, well, scoop.
This Abarth 205 A coupe that won the Trofeo Girard-Perregaux at this year’s Concorso d’Eleganza is absolutely stunning. I’ve not seen one before. Congratulations to car owner Mark Gessler for the win, and for one fine automobile.
Sports Car Digest has a sizable photo gallery of this year’s event.
The late 60s were, by any measure, a high-water point for sports car racing. The cars were absolutely beautiful. The science of aerodynamics was coming into its own. The cars were fast. Very fast. Faster than Formula 1 cars of the era.
Here’s a lovely example of the era that is coming available as part of RM Auctions’ Leggende e Passione auction: A meticulously preserved Ferrari 330 P4. Chassis 0858 is a majestic example, with a fairly impressive history. This is, after all, a car that was driven by Jackie Stewart and Chris Amon. Beyond a win at Monza, they shared the car for a wonderful meeting at Brands Hatch for the the British BOAC International 500. This was the last championship points winning race of the season and the World’s Sportscar Manufacturer Championship was on the line. Ferrari held a small lead, but Porsche was nipping at the horse’s heels. Jo Siffert was racing hard in his 910 to show that Porsche wasn’t just going to let Ferrari walk away with it. Through a handful of lead changes and hard battles, Jackie Stewart took the car back from Amon in the final hour to hold on to second place and secure Ferrari’s championship (Mike Spence and Phil Hill won the meeting in their Chaparral).
A Ferrari 330 P4 is indeed a very special car. In many ways, however, this era is bittersweet for me because it represents the real turning point in sportscar sophistication. The era of the garagista as a force in racing then started its slow decline. Wind tunnels, aerodynamicists, space-aged materials, and technological leaps permanently placed sportscar racing—any racing for that matter—in the hands of professional engineers, not amateur gearheads. I know, I know, I’m always singing the praises of the 917, a car perhaps even more the culprit for this shift. But it’s sad all the same.
On another tangent, I really have to commend RM Auctions on not only securing a marvelous roster of cars for their auction, but on investing in high quality photography for the catalog. These shots are simply stunning and it’s worth hopping over to the catalog just to take them all in.
This photo from the January 1980 issue of MotorSport Magazine shows Maserati 250F Lighweight #2527 as she was being prepared for a season of vintage racing. There’s no denying that this 250F is a very special car, having taken Juan Fangio to a pair of 1957 wins in Argentina, with further successes for Harry Schell. Today, driver Jeff O’Neill keeps 2527 in good practice and fighting trim on racetracks around the country, appearing recently at the 2008 Monterrey Historics.
It’s good to see that, despite the radical increase in the value of this machine between these two photos, a car like this Maserati 250F has avoided becoming a showpiece in a speculator’s warehouse and has instead maintained a presence on the racetrack. The stratospheric rise in the values of vintage racers, particularly the incredible price jump of the mid 1980s, has been both a blessing and a curse. These cars have been rescued from the junk heaps of history, but have all too often fallen into the hands of investors and kept off the track and out of view of the fans of vintage motorsport.
Thank you, Jeff, for keeping this example of one of history’s finest racing cars well within public view.
The Photo above is from a series of Monterrey pit area shots at TrackThoughts.
Photographer Michael Plitkins has several images of 2527 on AtSpeedImages.
Sorry for all the Porsche 917 posts late—you know what? Scratch that. There’s no sense in apologizing for it. I’d probably make damn-near every post about this majestic ride if I could.
Now the videos we saw earlier this week of a 917 (reproduction) in traffic do a bit to give you the true stature of the machine. It’s giant reputation and it’s long low proportions have, like the 910, always made it seem to me like a larger machine. Low- yes; but big. The long swept tail in some iterations make it seem even more so. Even though I’ve seen a 917 in person on the track, and through the window at Symbolic Motors, I’ve never been close enough to actually take in the true scale of the beast.
But this photo from Sports Car Digest of a Gulf liveried 917 parked next to a Porsche 914 on the track at Spa-Francorchamp, 1970, really hits me with the true scale of the thing. I’ve seen hundreds of photos of the Porsche 917: On the track, in the pits, on the big screen. None of them have, for whatever reason, given me a true sense of how small this incredible machine is. I’ve driven a 914, a car so small that I could barely shift into 2nd gear without uncomfortably pushing against my leg. The 917 is TINY.
Maybe it’s like how people are surprised when a famous actor is short when they see them in person, but the 917 seems like too much of a giant to be this small.
My dear friend Eric Dean spent his winter restoring his Merlyn Formula Ford and it looks absolutely marvelous. The car wasn’t in desperate need of the full restoration job either, and I swear I left it in as good a shape as I got it when he graciously let me squeeze behind the wheel for a few laps of Road America last fall. Compare the photo from my post on that weekend with the series of photos below. They tell the tale better than I ever could of the quality of his craftsmanship in a restoration project that saw every hole in the frame patched and ground down, powdercoated, supplied with new hardware from nose to tail, and meticulously prepared. I must admit I was nervous about his livery choice until I saw these photos of the tremendous quality of the paint, which looks much more like a perfectly preserved 30-year-old paint job than it does a new respray.
Enough of my rambling, I’ll let the photos tell the story. I think it’s absolutely perfect. Something tells me Eric won’t be so quick to hand over the wheel this year, nor should he. Congratulations, Eric, on a job very well done.
Often when you say that a car is ex-racing driver it means that a driver of some note once piloted the machine. By that definition, this is certainly an Ex-Graham Hill. Very rarely however, can that same term be used to describe both the driver and the builder of a racing car. But that, amazingly, is the case with this very special Lotus 11. Graham Hill built this car with his own hands from a Colin Chapman supplied kit in April and May of 1956.
Hill was an employee of Chapman’s at the time, toiling by day at Lotus Engineering as a mechanic in order to stay close to the racing scene he loved so dearly. Hill had been racing for some time by ’56, but lacked the funds to keep a car together on his own. Taking a day job at Lotus was a great way to be in earshot of an opportunity at some seat time. And I wouldn’t be a bit surprised if Old Colin Chapman kept Hill on for the very same reason.
Hill campaigned this Lotus 11 in the Autosport Production series as a works car. Chapman provided the kit, but maintained sufficient ownership of the car for her to run as a works machine: making this a very busy 11 indeed. Hill put her on the podium 9 times in ’56, winning 4 races (Hill must’ve loved Brands Hatch, it was the location of all of his wins in this car that year). The car’s work, however, wasn’t done there. Chassis #208 was also the factory’s show car and press mule. And, it is speculated, served as Hill’s road car for the drives to and from the races.
Ian Walker purchased #208 in 1957 and competed with a swapped engine. Eventually the car fell out of competition. Now, however, the car is reunited with her original 1,172cc side-valve and is fresh off a masterful Mike Brotherwood restoration and fantastic, patinad coachwork and paint by Sovereign Coachworks. Together they’ve done a tremendous job of making a complete restoration look lived in and not over-restored. Jan Lühn now offers the car. An amazing vehicle with fantastic history that will surely give the buyer entry in to the races of his choice.
Further reading:
Jan Lühn has photos, with more information to come.
Sovereign Coachworks also features a gallery of the bodywork. Wonderful.
A 1965 Shelby Daytona Coupe serial number CSX2601 finally gives Mecum Auctions a car worthy of the hilarious over-enthusiasm of their Ring Men. Seriously. Watch a single episode of Mecum Auto Auctions: Muscle and More. As far as I can tell, it’s a show about guys with over-gelled hair jumping up and down; with an occasional shot of a muscle car.
The car is a true treasure, especially for American enthusiasts. Bob Bondurant piloted CSX2601 to class victory at Rheims 12 Hours on July 4, 1965—fitting, eh? That class win clinched the Worlds Sportscar Championship for GT+2. The interwebs are all abuzz about the possibility that CSX2601 may bring in the highest ever price for a car at auction, with estimates in 8 figures. Of course, other web sources are speculating that Ferrari Testa Rossa chassis no. 0714TR, also being auctioned this May will be the top draw. I’ll leave that speculation to them.
The Shelby has the more important race history, clinching the World Sportscar title isn’t something to take lightly. The car was driven to 5 class wins and a 3rd overall finish at the 1965 Coppa Citta di Enna behind a pair of Ferrari 250 LMs. She was entered in 8 races, all of them World Championship events, finishing 6, taking class victory in 5. That’s a very good history in anyone’s book.
In contrast, the Ferrari was entered in 34 races, taking class victories in 4, with a highest result of 4th in her debut: the 1958 Argentina 1000km.
Only time will tell which of these remarkable cars will take the top money. I must admit that I have less interest than many online speculators on the actual dollar value these very different, but significant cars bring in.
Either way, I lose. I take consolation, however, that even without the 8 figure investment, I can still get my own. Sorta.
Update:
Rumor has it that CSX2601 failed to sell on Friday night, with bidding stalling out around $6.8Million; well below reserve. Mecum folks have said that they had several bidders with $10Million lines of credit that failed to bid at all. What kind of world do we live in when a handful of Ferraris can bring in much more money that this tremendous Daytona Coupe?