I’m a bit late in telling you about the 10,000-strong group of spectators that lined the streets of Huntingdon in Cambridgeshire, UK on October 12th for a parade celebrating 50 years of Lola Racing Cars. Lola found her roots in a 1957 Special built and raced by cousins Eric and Graham Broadley. The 1172cc Ford powered open wheeler raced in England’s “Ford Ten Special” class, where it was a quick success. They immediately started on a second sports car to compete with a Climax engine. Before long, the Lola Cars organization was started in earnest in a small workshop down the road from Cooper and Brabham.
Lola followed a few steady years of MK1 sports car production with their first foray in to single-seaters, starting with a front engined formula junior and quickly transitioning into rear-engined formula 3s. All these years later, Lola participates in nearly every branch of motorsport: From sports racing cars to the US’s CART championship, to endurance racing. Through all of these developments, Lola has a remarkable tradition of maintaining their lineage, with strong support for vintage Lola cars. You can order a brand new continuation of the iconic T70 prototype racer. Congratulations of 50 years, Lola.
Thanks to Flickr users Jason and Ian (Madie) for letting us experience this event alongside them. I think that’s a T61 Formula 2 car up top from Jason’s photo stream.
Let’s take another long-overdue listen to the fantastic Exciting Racing Sounds of Grand Prix album. This time our host, Phil Hill, takes us on an audio tour of the Spa circuit. You’ll remember that this album was created as part of the research process for John Frankenheimer’s 1966 film Grand Prix. Ah—magic.
This cut from the LP takes off where Monaco left off and demonstrates the contrasts between the tight, narrow street circuit of Monte Carlo and the open expanses of the high-speed Spa circuit. Phil points out that the drivers spend an awful lot of their time in Belgium in top gear. The engine screams in this cut seem to indicate the truth in that. We’ll hear massive whines from BRM, Cooper-Maserati, Ferrari, Brabham, and McLaren-Ford; and none of them sound like they’re just poking through the frequently-wet countryside.
We also take the Burnenville Corner with Jochen Rindt in his Cooper-Maserati. You’ll hear that there’s not a whole lot of shifting happening here as the corner is a sweeping high-speed expanse. Rindt finished 11th at Spa that year, but 4th in the Drivers’ Championship for the year. 1965 was also the year he won Le Mans as part of the N.A.R.T. team in a Ferrari 250LM.
Hear the complete archive of cuts from this tremendous album.
In May of 1959 Steve McQueen drove his little ’58 Porsche Speedster 1600 Super up to Santa Barbara to compete in his first race. Now we tend to merge the legend of McQueen as an actor with his racing exploits. But that had to start somewhere; and it started in the E-Group Production Class at the airport. Starting from the middle of the pack, he leapt up several positions on the first lap, and by the fourth was in the lead. Amazingly, he won the first race he competed in; cementing the reputation that would define him among racing fans long after his death.
This weekend, Bonhams will offer lot 177 at their annual Petersen Auction. The pewter goblet that served as his trophy for that first race. I’m sure this little tankard was filled and refilled as it was passed around many times the table at wherever Steve celebrated that night.
Steve sold the Speedster that he won that event with, returning to Santa Barbara later that year in a Lotus XI. He finally bought back the Speedster in 1974. Chad McQueen still owns it.
There’s a brief writeup of the race on this McQueen site, and here’s a photo of the Porsche Speedster from the “Friends of McQueen” car show held earlier this year.
Update:
This lovely piece of McQueen history SOLD for $6,600. Sounds like a lot of loot for a pewter goblet. “Well bought”, I say.
The Porsche 904 once owned by renowned collector/museum curator/tycoon/lucky bastard Yoshibo Matsuda is currently among the cars for sale by German dealer Jan Lühn. Ordinarily the non-racing owner of a car doesn’t improve it’s provenance terribly, but Mr. Matsuda is no ordinary car collector. In the 1970s and 80s, Matsuda started pickup up exotic Porsches: the first Porsche to win outright at LeMans (a 917), a 910 Spyder, a 550 Spyder, an RSK Spyder, a 906, 908. The guy’s collection was no joke. So fantastic was it, that he opened a historic Porsche museum in Tokyo. After several years, Mr. Matsuda decided to shake things up and sold off the bulk of his collection and replaced them with historically significant Ferraris and hung a new sign on the door of his museum. I understand that he’s now sold off the Ferraris as well.
But getting back to Porsche 904-092. The car was originally delivered in 1964 to gentleman F1 driver, Count Carel de Beaufort. This 904 was his third—he also owned 904-019 (which he raced at Sebring), and 904-072 (which was crashed by his friend Gerard van Lennep).
The Count only owned 904-092 for a short time before selling it to England, where it was raced by Patrick Godfrey and Alain DeCadenet. After a short time in the states, Matsuda picked up the car in the late 70’s.
Such was Mr. Matsuda’s love for the 904, that he wrote an absolutely marvelous book on the history, development, and current whereabouts of the remaining 904s. I spent several years trying to track down a copy of “Porsche 904 GTS Great Cars of Great Collections Volume 3”, with little luck. I finally tracked down a copy at online bookseller T.E. Warth Autobooks, but $180 seemed a bit steep. Ultimately I was able to order a copy from the publisher at cover price. Go order a copy right now, it’s an amazing book – and the price is fantastic when compared to the odd prices it’s fetching in the secondary market.
Mr. Matsuda sold the car at RM’s Monterrey Auction in 2000—for the now astonishingly low price of $264,000. (Is it wrong for me to hope that the current financial market causes classic car prices to tank and once again become attainable?). After that sale, however, the story becomes even more interesting. The Floridian buyer repainted the car to its original Silver color and shortly thereafter sold the car to a man in Germany. Incredibly, the German tracked down the car’s original twin-cam 4 cylinder Koenigswellen engine, which had been spending some time as a decorative piece in a retired Porsche engineer’s home. Now that is an art piece I’d love to have in my living room.
So now, impeccably maintained and newly reunited with her original engine after 25 years apart, Porsche 904-092 is available. Jan Lühn doesn’t list a price, but I’m sure they’ll be receptive to an offer of the $264,000 that this car fetched in 2000. Sure they will.
I just stumbled across some footage on YouTube of Porsche 910-25 (which we’ve featured here on The Chicane last week) at the Zippo Vintage Grand Prix at Watkins Glen from September 2005. Enjoy.
In our ‘Lost Tracks’ series, we’ve already examined the demise of ‘The Bridge’, the purpose built track designed to replace the increasingly dangerous road course at Bridgehampton. But let us look back to the simpler, county road course in Bridgehampton.
We were first inspired to start looking into America’s forgotten racetracks by the Last Open Road series of books, which follow the exploits of auto mechanic Buddy Palumbo as he enters the early years of America’s road-racing scene. The first race we get to experience alongside Buddy, is the 1952 race on the streets of Bridgehampton, Long Island, New York.
There Buddy glimpses some of the finest racing machinery in the world, and is immediately hooked. Pulled into road racing by the adventure embodied in the Briggs Cunningham cars, the Ferraris, the little Porsches, and Siatas. But also sees the dangers of racing amongst crowds of poorly protected spectators, varying road conditions, curbs and bridge abutments. Ultimately these are the factors that killed road racing on city streets and drove racers to closed circuits—killing a good chunk of the romance of racing along with it.
1952 Bridgehampton Road Races Program Cover
The real Bridgehampton of 1952 was indeed a popular, community led affair. Sponsored by the local Lions club and the SCCA, there were 5 featured races: The Sagaponack Trophy Race for production cars under 1500cc, the Mecox Trophy race (modified 1500cc), the Hamptons Cup (production over 1500cc), the Bridgehampton (modified over 1500cc), and the Hayground Cup race (anything goes).
There was quite a turnout of machinery for the race in ’52. Porsche 356s dominated the sub-1500cc categories, with the exception of Frank Bott’s OSCA, which took the modified class averaging 74mph. Today’s speed limit on Bridge Ln. (the longest straight) is 40mph.
The Briggs Cunningham team was there, debuting the C4R, sadly it dropped a wheel in the 12th lap. Leaving the Ferraris, Allards, and Jags to battle it out in the high displacement laps around town.
Which brings us to the course itself. From the start finish line on Ocean Rd, the course wraps around the 4 miles created by Ocean Rd., Sagaponack Rd., Main St., and Bridge Ln. Here is a map of the current location. I wouldn’t go blasting around the course too fast in your 4 Liter Ferrari (the winning car of the ’52 Bridgehampton Cup) too fast. But if you do, send me some photos. or a video!
It’s easy to see why B.S. Levy chose to set the stage for Buddy Palumbo to fall in love with sportscars and road racing at this particular race. The race reports show it to have been a fantastic grouping of cars very early in American road racing. You’d very likely go your whole life without seeing a ferrari on the road, but if you were on Long Island that weekend, you saw 5 of them.
Additional Reading:
There is a surprisingly large amount of information on the web about the 1952 race at Bridgehampton.
Lewis Shadoff has an absolutely brilliant series of color photos shot at the race here. This is where I found the photo at the top of this post.
The mighty Etceterini has some scans from Road & Track on the race.
Arte Auto is selling this copy of the official program.
This is interesting. I don’t really know the context here, but apparently there was a parade lap of the Goodwood Circuit last weekend of various period cars and trucks—mostly service vehicles. This is exactly the kind of footage you don’t expect to see, and one of the reasons I find the Goodwood event so compelling. Giving respect to the period, not just the racing cars of the period, is the kind of theatre that makes me keep saying to myself, ‘I’ll have to make it to Goodwood next year’.
A post on the Make magazine blog this morning regarding using the factory tow-hook mount on modern cars as a camera mounting point led me to this product from GoPro. The Motorsports Hero camera mount package offers options for mounting video cameras in a variety of ways on your car or helmet. I often see cars at the track with cameras mounted to the rollbar, but I know that many monoposto drivers have had trouble coming up with mounting options for their cars. The GoPro site shows cameras mounted on helmets, windscreens, suspension components or bodywork… certainly you’ll be able to find a spot on your racing car.
Video over your shoulder can be a one-step method for improving your track times, especially if your racing group compares videos. You can study the corners you hesitate in, your racing line, and road surface to help your times from day to day, or from race weekend to race weekend.
I think the real possibility for benefit within the historic racing community here is to compile these videos in a central location to help study-up on new tracks, or improve your own times by observing the laps of your fellow drivers in one place you’ve never been able to—the drivers’ seat. So let’s start seeing these videos you’ve been shooting on the web somewhere. Start loading them up, drivers—we want to see them too.
Walking the paddock at any vintage race is half the fun of attending. There are scores of wonderful racing cars and dozens of friendly drivers happy to chat about them. At this year’s Elkhart Lake Vintage Festival, we did even more chatting with drivers than usual, as Paul is on the hunt for a vintage Formula Vee. One car this year, however, stopped me dead in my tracks—along with everyone else that passed—the Porsche 910.
Parked among some of the most arresting cars of the weekend, a Maserati 250 and a Cooper Formula car, it was the only car I can think of that could draw all attention away from these 2 other iconic cars. Immaculately restored in 2001, this car has competed recently in such estimable races at the 24 Hours Lemans Classic and the Monterrey Historics.
910-25 at rest.
But of course the truly remarkable story of this prototype racer begins much earlier than that. The 910 series was originally conceived of as a hillclimb car, but quickly found success as an endurance racer. Think about that for a moment. Hillclimbs are short sprints up a mountainside. One way, one trip. The fact that this hillclimber was readily adaptable to endurance racing speaks volumes about Porsche’s late-60’s engineering. That a car designed for short bursts of speed could also run competitively for 24 hours is simply staggering.
910-25
This example ran the Targa Florio in ’67 (a race won by fellow works drivers Paul Hawkins and Rölf Stommelen in 910-08), and won the 1000km at the Circuit of Mugello with Gerhard Mitter and Udo Schuetz at the wheel. Sadly, 910-25 didn’t complete the Sunday race at Road America, dropping out of competition in the 1st lap. The car was hauled out of the track on a flatbed, but I didn’t see any signs of damage. Does anyone know what happened?
910-25 at the Targa Florio
Update:
This article in Washington CEO Magazine shows that the current owner of Porsche 910-25 is AEI Music Founder and Real Estate developer Michael J. Malone. Congratulations, Mr. Malone, on one fine automobile.
