Hans Sipma had his Super-8mm camera in hand to capture a long-dormant Tipo 159 Alfetta getting the cobwebs cleared out by a 74-year-old Juan Manuel Fangio. Wow.
Thanks for sending this in, Paul.
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Tag: Fangio
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Sounds of Sebring 1957
The Riverside record company, in addition to a large catalog of musical acts, also put out a number of LPs of auto racing field recordings. Perhaps the most well known from their discography are the “Sounds of Sebring” series from 1956—1962.
For the 1957 outing, most of the pre-race interview chatter centered around Corvette’s effort for the race, which brought a huge unknown into pit lane. The concensus among the drivers and teams interviewed (including de Portago, Phil Hill, Briggs Cunningham, Huschke von Hanstein, Shelby, and others) was one of excitement that a huge manufacturer like General Motors was starting to enter European-style sportscar racing. Perhaps it’s just the American-centricity of the production and interviewer, but the interviewees really seemed impressed by the power and speed of the new Vettes. There were doubts (correctly so, as it turns out) as to whether they could go the full 12 hours, but it’s fantastic to see an as-it-happened impression that Chevy was making with people around the circuit.
Despite the gossip and chatter, Maserati was heavily favored and with Moss and Fangio in different cars, the only question was would the smaller 300 of Moss/Schell or the bigger 450 of Fangio/Behra take the checkers. I won’t spoil here, but it’s all there in the audio above.
I’ve started to track down the original LPs of these Riverside releases and when I sit in front of the turntable with the headphones on I imagine what it must have felt like for racing fans around the world—and particularly the United States (who had limited access to racing media)—for whom these recordings were the most visceral way to experience the race without actually venturing to the track. What a thrill it must have been to lie of the floor of a dimly lit room with stack of racing reports and magazine clippings spread out, hearing these astonishing engine notes for the first time.
You can almost hear the footfalls as the drivers run across the street and leap into their cars for the famous LeMans-style start. Glorious.
24 minutes of Fangio footage… No clever title nor caption needed.
Ladies and Gentlemen, the ex-Fangio Mercedes-Benz W196 is the most valuable motor vehicle ever sold at auction with a final price of $29.6 million.
I have been guilty of complaining about the skyrocketing prices of classic racing cars (after all, I’m still a buyer in this equation). I have complained about speculators buying these cars simply as investments rather than as an expression of their passion for motorsport… but if ever a car deserved the title of “the most”, it might be this one.
More at Bonhams.
These weren’t little GoPros hanging off of the Maestro’s Lancia. Each of these cameras had to be loaded with film, started up, and run a few laps. Then they had to do it again and again so that you don’t see the giant camera in the other angles. It’s easy to dismiss the complexity of these earlier onboard films when we can easily toss a half-dozen or more digital video cameras on a car at every possible angle. It’s part of what makes early onboard footage so precious.
Looking through the slow motion montages in this clip, I have to believe it was part of the inspiration for Saul Bass’s racing sequences in Grand Prix.
via Retro Formula 1
Alfonso de Portago’s Ferrari 857S
Color photography dates back to the 1890s but the cost associated with it, even after “modern” color film was available to the masses, was typically several times more expensive to buy and process. Even as late as the early 60’s, it was much more common to see black and white snapshots from race tracks. It’s just one more reason why these color shots of the 1958 GP de Cuba uploaded to Cuba Green Screen by The Real Cuba are so precious. Those ultramarine waters and blue skies would lose some luster as medium greys—not to mention the Ferraris and Jags.
The 1958 Gran Premio de Cuba will always be remembered as the time when Castro’s rebels kidnapped Juan Manuel Fangio on the eve of the race. Whenever I read of it, I always try and imagine how that must have affected his team and the rest of the field. I struggle to put myself in their position. Or Fangio’s; locked in a bedroom listening on the radio to the race he should be winning, a guard over his shoulder. I wonder what would happen in similar circumstances today. If Vettel got nabbed before the Bahrain GP, how would the teams; the sport; or the media react? Would the show—as it did in Havana 60 years ago—simply go on?
Fangio was returned unharmed after the race, and even befriended his captors in the years afterwards. The events have cemented the ’58 Cuban GP in the history of Caribbean politics as well as the history of sport. Looking at these marvelous photos though, I may start to remember the event for Carroll “Chicken Farmer” Shelby lounging in his Ferrari in a pair of hickory striped overalls getting gassed up.
Click on over for more shots and thanks to Bring a Trailer for pointing the way.
A few weeks ago we were fortunate to receive a handful of photos from racing driver Mandy Alvarez of the Cuban road racing scene experienced as a child in Cuba. Our luck has grown, because Mandy has dug back into the archives for another round of marvelous shots of racing on the island.
With Fangio kidnapped by the revolutionaries, it fell to Maurice Trintignant to take the driver’s seat in Juan Manuel’s Maserati. He finished 11th. It’s hard to imagine climbing into the racing seat, now knowing the fate of your teammate, but the show must go on.
At the ’57 Grand Prix Alfonso de Portago (#12) passes Juan Manuel Fangio (#2). Fangio later took the lead—and the race—when de Portago pitted and was unable to continue. Man, do those street lamps look awfully close. It’s photos like this that remind us that drivers were a whole magnitude of bravery higher than we see today. Even Monaco is surrounded by walls for the weekend.
Testa Rossas lined up and ready
Eugenio Castelotti pushed to the grid
Fangio and Bertochi on the Saturday of the 1958 GP (prior to the kidnapping)
Thanks again, Mandy!
We’d always excited to share more reader photos with Chicane readers. Drop us a line at tips@thechicane.com.
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Two Views of Monaco 1955
Here’s two fantastic visions of the 1955 Monaco Grand Prix. One is a news blurb style recap in color(!), with a focus on Moss and Fangio’s Mercedes team. I quite like the shot of the pack on the far side of the track, weaving through the Monte Carlo streets. It’s a view we don’t often see of the races today with cameras on every corner of the track. Somehow, seeing the cars in the distance like this makes it feel more like you’re there than seeing every straight and turn.
The other, a home movie shot on grainy 8mm. I can tell you which one I like better. Can you believe how close to the track you were able to stand, filming away happily while these shiny rockets screamed past, narrowly avoiding lamp-posts and curbs? The closeness and immediacy of the home movie displayed below really puts you on the sidewalks of Monte Carlo, as if you briefly glanced over at the passing racing cars on your way into Hermés. It is footage like this that keeps Monaco on the calendar today.
Even if huge portions of the romance are gone, Monaco is still magic.