For Sale
My 212 Ferrari… In perfect tune and in showroom condition
Top Speed… 130 mph • 0 to 60…7.5 sec. • 0 to 100 mph…16sec. • Perfectly behaved in city traffic (getting 20 mpg) • Road tested in Nov. ’52 issue of Road and Track • Price…$7,800.
Write or phone Phil Hill, 5670 Sunset Blvd., Hollywood 28, HEmpstead 3165
Tag: phil hill
Martin Chisholm is offering a marvelous 1952 Ferrari 225 Sport Barchetta. She is a beautiful, Rossa Corso wonder. A squat, dense muscle powered by an early iteration of Colombo’s famous V12 that would later prove so successful for the various Ferrari 250 variants that are in such high demand. This version of the V12 was based on the earlier 212, but bored out an extra 10mm and stroked to 58.8 mm for a total displacement of 2715 cc. The extra oomph under the bonnet made 224S #0218ET good for a perfectly reasonable 210 horses at 7200 RPM.
The 225 was developed with the twisty mountain sections of the Mille Miglia in mind, but since she was developed alongside early prototype versions of the 250, she was quickly overshadowed by her big brother in Italy. Fortunately, 0218ET was headed for American shores. This Barchetta, was an Alf Momo car, quickly prepped and ready for club racing in the States.
Bill Spear gave 0218ET her debut at the 1952 Sowega Air Force Base races and brought her in at 5th overall. Not a bad start.
Of course, what makes this car really desirable was her entry in the ’53 Sebring 12 Hours Race. Bill Spears shared the car with Phil Hill. Unfortunately, in a rare mistake, Phil had an off-course excursion that cost them the race. In the early days of Sebring, the grass surrounding the course was a very treacherous place and Phil managed to find the foundation of a disused and demolished barracks. The hit to the rear wheel took out the differential, forcing the team to call it quits for the race.
The car bounced around from racer to racer for several years, before becoming a toy of a Hollywood businessman. Finally the car was rescued by noted collector Gary Schonwald who located the long missing original engine and restored 0218ET to the remarkable shape you see her in today. She looks Concours and Historic Mille Miglia perfect.
Carrozzeria Vignale did an absolutely incredible piece of work crafting the body of this little barchetta back in 1952, and despite the more impressive statistics of the scores of Ferrari models that have followed in the wake of the early barchettas, there is no model that I find more romantic than these early V12 series.
Keep your eyes peeled for car #14. It’s the Scuderia Ferrari 250 Testa Rossa piloted by Phil Hill and Peter Collins, 1958’s winning car.
It’s finally time for the final cut from the Exciting Racing Sounds of Grand Prix album. In this final track, Phil Hill visits Brands Hatch, and while I’d like to say that this final cut is the climax of the lp, it’s a bit more like ‘in with a bang, out with a whimper’. The visit to Brands is precious short on racing action, starting with audio from the Red Arrows fighter jet squadron flyover and finishing with the military band. It is nice to hear the podium celebration for Jack Brabham as the band plays “Waltzing Mathilda”.
There you have it friends, your Exciting Racing Sounds of Grand Prix album is complete… now just flip back side A and enjoy.
Let’s take another long-overdue listen to the fantastic Exciting Racing Sounds of Grand Prix album. This time our host, Phil Hill, takes us on an audio tour of the Spa circuit. You’ll remember that this album was created as part of the research process for John Frankenheimer’s 1966 film Grand Prix. Ah—magic.
This cut from the LP takes off where Monaco left off and demonstrates the contrasts between the tight, narrow street circuit of Monte Carlo and the open expanses of the high-speed Spa circuit. Phil points out that the drivers spend an awful lot of their time in Belgium in top gear. The engine screams in this cut seem to indicate the truth in that. We’ll hear massive whines from BRM, Cooper-Maserati, Ferrari, Brabham, and McLaren-Ford; and none of them sound like they’re just poking through the frequently-wet countryside.
We also take the Burnenville Corner with Jochen Rindt in his Cooper-Maserati. You’ll hear that there’s not a whole lot of shifting happening here as the corner is a sweeping high-speed expanse. Rindt finished 11th at Spa that year, but 4th in the Drivers’ Championship for the year. 1965 was also the year he won Le Mans as part of the N.A.R.T. team in a Ferrari 250LM.
Hear the complete archive of cuts from this tremendous album.