Categories
Racing Ephemera

Go Faster: The Graphic Design of Racing Cars

I clicked on over to Amazon and pre-ordered this one seconds after I heard about it.
As a graphic designer (that’s my day job, I’m a web designer) and a racecar geek, there’s no way Sven Voelker’s Go Faster: The Graphic Design of Racing Cars couldn’t be on my shelf. I didn’t even have time to translate the German blurb before I was adding this one to my cart. Look for a review on The Chicane when I receive it.

Ok, here’s that translation now, courtesy of Google which is less than elegant in its conversion but gets the job (mostly) done:

“Strip strike, numbers, colors and logo – the visual appearance of a race car needs so you can distinguish the car at first glance from the other when it raced at top speed. Most do not know, however, that the race cars from Porsche, Ferrari, Maserati and Lotus, its appearance is not the work of brand strategists and graphic designers, but often due to chance. Go Faster collected over 100 examples of car design, these carefree anarchy of the document creation process. In the book, each brightly decorated cars will be presented next to an unpainted, white model. This juxtaposition Go Faster takes his readers not only with a fast ride through images in racing history, but shows exactly how the graphics modulates the appearance of a racing car. “This book by Prof. Sven Voelker published by Gestalten Verlag, linking not only gasoline junkies and graphic designer, but definitely belongs in every bookshelf of these two groups.”

I can’t wait to read it.

Categories
Classic Sportscar

Art Appreciation: Maserati Birdcage


(via LoudPopVoyager)

Categories
Classic Sportscar

A Visit to the Mario Righini Collection

Ex-Nuvolari Alfa 8C 2300
Sports Car Digest visited the incomparable Mario Righini Collection outside Modena. It’s an astounding assortment of significant sportscars; including this Ex-Tazio Nuvolari Alfa Romeo 8C 2300 in which he won the 1933 Targa Florio and Monza GPs.
Head over to Sports Car Digest for the complete gallery.

Categories
Classic Sportscar For Sale

Escaped the Hammer: Ermini 357 Sport Barchetta

Cliff from Etceterini contacted me about this lovely little barchetta while I was travelling so I figured I wouldn’t have time to post about it before it fell under the auction hammer at today’s Les Grandes Marques à Monaco. It looks, however, like this magnificent little red machine failed to meet reserve and, while there’s always the chance that a deal will still be struck before the auction ends, I couldn’t resist posting up these pics.

I’m not terribly familiar with the Ermini name, but readers of Etceterini will no doubt know that Pasquino Ermini spent the 20s and 30s throwing Bugattis and Talbots around Italian racetracks before finally taking up the wrench to build a number of Fiat based specials. Ultimately he started building complete cars under his own nameplate in ’49. Like so many of the small Italian manufacturers, the Ermini competition machines are based on a Fiat chassis. Interestingly, though, Ermini’s early cars used a Dual Overhead Cam 1100 engine of his own design. The engine proved quite successful. Wrapped in a lovely coachbuilt body, she was even more impressive. Bill Devin used an 357 Ermini as the mold for a line of his successful sportscar fiberflass rebodies.
This example, chassis 1855 has quite a lovely history. She competed in the 1956 and 1957 Mille Miglia and still houses her original Ermini 1,431cc 4-banger.

The hammer fell on this afternoon’s auction without the 357 reaching reserve—which means you still have a chance. Just phone up your banker (if you haven’t already murdered him) and secure the €330,000 – 370,000 this remarkably beautiful little barchetta was estimated to bring in.

Then let me take her for a spin.

Categories
Classic Sportscar Porsche Video

Armchair Porsche 917 Restoration


Follow along with the brave restorers at Gunnar Racing as they tackle the restoration of a mystery 917. So far it looks like it might be 917-021, but apparently Gunnar took on this project without it’s serial number plate, so they’ll be relying on additional details to help establish it’s provenance. I’m willing to give the folks at Gunnar the benefit of the doubt, they’ve restored their share of 917s in the past, as well as examples of just about every other Porsche racing model. Perhaps the mystery is the reason they’ve chosen to document the hell out of their restoration. Whatever the motivation, I’m glad to see the frequent updates. They’re 12 releases into an ongoing YouTube video series documenting the process; everything from grinding down the paint to see the history of liveries, to suspension and transmission and my-word-that’s-scary-to-take-apart removals. Coupled with reams of photos on the restoration team’s blog, this is pure Stuttgart candy. They’re hoping to debut the restored car at this year’s Monterrey Historics, I can’t wait to see how it turns out. It’s nice to not have to wait until the debut to see the car, I’ll be following along closely on their YouTube channel.
You can also follow along on the 917 discussion forum at CKnet.

Categories
Ferrari For Sale

Phil Hill’s Ferrari 225 S Barchetta Available

Martin Chisholm is offering a marvelous 1952 Ferrari 225 Sport Barchetta. She is a beautiful, Rossa Corso wonder. A squat, dense muscle powered by an early iteration of Colombo’s famous V12 that would later prove so successful for the various Ferrari 250 variants that are in such high demand. This version of the V12 was based on the earlier 212, but bored out an extra 10mm and stroked to 58.8 mm for a total displacement of 2715 cc. The extra oomph under the bonnet made 224S #0218ET good for a perfectly reasonable 210 horses at 7200 RPM.

The 225 was developed with the twisty mountain sections of the Mille Miglia in mind, but since she was developed alongside early prototype versions of the 250, she was quickly overshadowed by her big brother in Italy. Fortunately, 0218ET was headed for American shores. This Barchetta, was an Alf Momo car, quickly prepped and ready for club racing in the States.

Bill Spear gave 0218ET her debut at the 1952 Sowega Air Force Base races and brought her in at 5th overall. Not a bad start.

Of course, what makes this car really desirable was her entry in the ’53 Sebring 12 Hours Race. Bill Spears shared the car with Phil Hill. Unfortunately, in a rare mistake, Phil had an off-course excursion that cost them the race. In the early days of Sebring, the grass surrounding the course was a very treacherous place and Phil managed to find the foundation of a disused and demolished barracks. The hit to the rear wheel took out the differential, forcing the team to call it quits for the race.

The car bounced around from racer to racer for several years, before becoming a toy of a Hollywood businessman. Finally the car was rescued by noted collector Gary Schonwald who located the long missing original engine and restored 0218ET to the remarkable shape you see her in today. She looks Concours and Historic Mille Miglia perfect.

Carrozzeria Vignale did an absolutely incredible piece of work crafting the body of this little barchetta back in 1952, and despite the more impressive statistics of the scores of Ferrari models that have followed in the wake of the early barchettas, there is no model that I find more romantic than these early V12 series.

Categories
Classic Sportscar For Sale

Available in Germany: Graham Hill’s Lotus 11

Often when you say that a car is ex-racing driver it means that a driver of some note once piloted the machine. By that definition, this is certainly an Ex-Graham Hill. Very rarely however, can that same term be used to describe both the driver and the builder of a racing car. But that, amazingly, is the case with this very special Lotus 11. Graham Hill built this car with his own hands from a Colin Chapman supplied kit in April and May of 1956.

Hill was an employee of Chapman’s at the time, toiling by day at Lotus Engineering as a mechanic in order to stay close to the racing scene he loved so dearly. Hill had been racing for some time by ’56, but lacked the funds to keep a car together on his own. Taking a day job at Lotus was a great way to be in earshot of an opportunity at some seat time. And I wouldn’t be a bit surprised if Old Colin Chapman kept Hill on for the very same reason.

Hill campaigned this Lotus 11 in the Autosport Production series as a works car. Chapman provided the kit, but maintained sufficient ownership of the car for her to run as a works machine: making this a very busy 11 indeed. Hill put her on the podium 9 times in ’56, winning 4 races (Hill must’ve loved Brands Hatch, it was the location of all of his wins in this car that year). The car’s work, however, wasn’t done there. Chassis #208 was also the factory’s show car and press mule. And, it is speculated, served as Hill’s road car for the drives to and from the races.

Ian Walker purchased #208 in 1957 and competed with a swapped engine. Eventually the car fell out of competition. Now, however, the car is reunited with her original 1,172cc side-valve and is fresh off a masterful Mike Brotherwood restoration and fantastic, patinad coachwork and paint by Sovereign Coachworks. Together they’ve done a tremendous job of making a complete restoration look lived in and not over-restored. Jan Lühn now offers the car. An amazing vehicle with fantastic history that will surely give the buyer entry in to the races of his choice.

Further reading:

Jan Lühn has photos, with more information to come.
Sovereign Coachworks also features a gallery of the bodywork. Wonderful.

Categories
Classic Sportscar Porsche Video

Auto Motor und Sport – Porsche 550 RS Spyder


The narration isn’t so hot, but I’m not one to turn down footage of my beloved 550.
Update: Watching this again this morning, I particularly find hilarious the narrator’s insistance in saying “Five Hundred Fifty” and “Three Hundred Fifty-Six”. Does she refer to the 911 as the “Nine Hundred Eleven”?

Categories
Classic Sportscar Ferrari For Sale Video

Available in Los Angeles: 1956 Ferrari Tour de France

Don’t get me wrong, I like Rosso Corso as much as the next guy. Isn’t it a bit refreshing though, to see a classic Ferrari in a color other than red? This French racing blue 250 GT LWB on offer from Symbolic Motors looks fantastic with it’s tri-color French racing stripes. The long wheel base cars don’t seem to get as much respect as the ridiculously popular 250 SWB, the 250 GT California, and the later GTO; but the extra 8 inches hardly seems worth quibbling about when a car looks as absolutely fantastic as this.
Like all 250s, the Tour de France draws power from the Colombo designed 3-liter V12. Although restricting engine size in the wake of the tragedy at the ’55 Le Mans was a bit unpopular at the time, the engine is still impressive, drawing 240 hp in the early Tour de France configuration. This, coupled with the very lightweight body, allowed to 250 Ferraris to be strong GT competitors.

This car, chassis 508, is the 8th Tour de France of 9 bodied by Carozzeria Scaglietti using the original Pinin Farina designed body style. True to its name, gentleman racing driver Jacques Peron and his co-driver, Jacques Bertrammier, debuted #508 in the 5th annual Tour de France Auto, placing 8th. Peron continued to track the car, largely in mainland Europe, for another 2 years with fairly high levels of success. Notable races include wins at the ’56 Rallye des Forets, ’56 USA Cup at Montlhéry, ’57 Grand Prix of Paris, and what must have been an exotic rally indeed, the 1957 Rallye Allier in Algier.
After Peron returned the car to it’s lessor (who knew you could lease Ferraris in 1956?), the car was sold to Bruce Kessler in the States and dropped out of competition.

Damaged in the 1970’s the car sat dormant until a series of restorations in the 80’s and 90’s brought it to the concours quality you see today. 508 took 2nd in it’s class at the 2003 Concours at Pebble Beach and since then has been bouncing around from auction to auction.

There’s no question that the car is beautiful; and a 250GT is an impressive addition to any collection. I’d prefer the car’s interior was kept the original black in the restoration. And the current climate of 250GT sales is atmospheric, even for cars without long racing provenance (the ridiculous price brought in by the ex-James Coburn 250GT California comes to mind). I say that, of course, but if I had the funds I’d be jumping on the opportunity to put this amazing car in my garage. The car last sold for $4.5 Million; certainly a princely sum, but given recent 250 prices, I wouldn’t be terribly surprised if it breaks that price.

Here’s some footage of the ’56 Tour de France Auto. Keep your eyes peeled for #75—the number this car wore for the race.

Categories
Classic Sportscar For Sale

Available in Brussels: Abarth Corso Spyder Boano 207A

Feast your eyes on this remarkable little Abarth on offer from Automobiles Vanderveken Bruxelles. This Boano-bodied spyder looks every bit of intimidating, despite its diminutive stature of only 37 inches tall at the peak of the windscreen. The 2-tone paint accentuates the streamlined and purpose-built appearance all the more, emphasizing the incredible belt-line: Can you even call that a belt-line? knee line?

Abarth Boano Spyder

Placing an aluminum tonneau cover over the passenger seat is a sure win for any drop-top to increase its appeal in my book. The fact that this little racer has a completely separate opening in the bodywork for the passenger to sit in is downright fantastic. And bask in the delight of the twin exhaust pipes snaking their way out of the passenger side.
Sadly, 207A had little success on the racetrack—it lead its class at Sebring in ’55 until an illegal refueling stop disqualified the team. But every ounce of this car begs to be noticed on the track and off. I absolutely adore the spirit of these Abarths. Although as few as 10 207As were made, the idea of taking the fairly pedestrian Fiat 1100cc engine and wrapping it in this slippery, aquatic shape with Abarth’s famous tuning team squeezing every horse out of the power plant is the fantastic thing about body-on-frame design. Think of the top tuning houses today: the Spoons, Mugens, RUFs, and the like. Despite the endless effort of these facilities, unibody construction leaves the car’s appearance virtually unchanged once it leaves the garage. Body-on-frame allows for an endless stream of possibility to create one-off, coachbuilt specials like this amazing Abarth Corso Spyder Boano 207A.

You can read more about the history of this outstanding racecar at Ultimate Car Pages, including some photos of a 207A in action at the 2004 Zolder Historic Grand Prix. Below is just a taste. And as is so often the case, the mighty Etceterini is a deep well of information on this model in particular, and Abarth in general.